Album Reviews

Get The Blessing - 'Astronautilus' by Sean Roe

Get The Blessing is a jazz fusion/post rock band from Bristol featuring Jim Barr and Clive Deamer of Portishead on bass and drums with Jake McMurchie on saxes and Pete Judge on trumpet and flugelhorn. All players appear to use live processing and electronics to alter and enhance the sound of their instruments.

Astronautilus their 5th album was recorded while the band was holed up on a remote part of the Cornish coast where the landscape clearly influenced their playing and song titles! They have retained the experimental playfulness and jazzy stylings of their previous recordings, but their sound palette has expanded somewhat.  About half of the tracks have a darker feel with greater emphasis on texture and atmospherics, with more open form song structures - particularly on a track like Sepia, which is drenched in echo and reverb like a kind of murky subaquatic inky tone poem. Good humour and lightness also has a place in this varied set with Monkfish, a Thelonius Monk inspired foot stomper that the band clearly enjoyed performing in the recording studio (if the audible off mike vocal exaltations are anything to go by).

 
 

There is an adventurous use of electronics throughout, on one of the slower songs like Carapace with its echoey ethereal sax loops that build to a crescendo before rippling away through granular synthesis to silence - and on the up-tempo more rhythmic tracks like the album opener afro-beat influenced Phaenomena, with its overdriven and insistent low-fi bass pattern and blistering distorted sax solo by Jake McMurchie.  Cornish Native is another stand out track with Pete Judge’s “mutant trumpet” (reminiscent of Jon Hassell) providing the opening rhythmic melody line.  With these electronic storms brewed up by the call and response improvisations of the sax and trumpet, underpinned by the rock steady bass of Jim Barr, it is often the clean precision and inventiveness of Clive Deamer’s drumming that shines through on these recordings.
With this album Get The Blessing have solidified their reputation creating inventive genre defying music that is varied and unfussy that has melody and improvisation at its heart. Warmly recommended!

Astronautilus is out now on Naim and is available to buy from here


Pick up a copy of our latest issue to read Sean's interview with Get the Blessing prior to their show at the SVA/Goods Shed on Sat 5th December


Visit the website: www.theblessing.co.uk


Sean Roe is a Stroud based artist and musician. He runs JunKroom Records an extremely small outlet for unusual music facebook.com/junkroomrecords

Adam Horovitz & Josef Reeve: Little Metropolis - By Simon Vincent

Having been asked to review the Little Metropolis album (which has recently been funded through a hugely successful Kickstarter campaign) I sat down with an air of trepidation as those involved are good chums of mine, and the subject matter is a place so ingrained into my heart that it is indeed part of me and me part of it.

As soon as the first few notes hit me I was struck by how it reminded me of those heady days in the late eighties and through to the nineties, and the emotion of first hearing the likes of the Orb.
Josef Reeve has managed to capture the spirit of the time and place with gorgeously subtle use of downbeat electronica and this runs throughout the album.

Adam Horovitz has been, and still is one of Stroud’s greatest assets. "HE KNOWS STROUD" and this is evident in every word. He paints pictures of a Stroud when we were young and he paints it with such clarity that if you were lucky enough to be there at the time it feels like you are there again. But if you are new to Stroud for reasons of geographic movement (or too young to remember) this album will transport you there.
The inventive use of samples of stories from those that have fond memories of the area bring another welcome dimension.

One thing I really enjoyed about this album is that it compares to a damn good book (in fact there is also a book version available). One that you cannot but down and one that you read from start to finish. You will not want to break off half way through this album and you will not want to press pause. Each track leads you to the next with great anticipation.

If you think poetry ain't your thing, think again. If you think it won't speak to you cos you ain't from Stroud, think again. This album is as good as if Kate Tempest was giving a modern history lesson on Stroud (I love Kate Tempest).

I congratulate everyone involved in making this project happen as it's a wonderful addition to the creative back catalogue that Stroud has and continues to expand.

Adam and Joe are the two stars of this album, but at the end of my review there are FIVE STARS


Pick up a copy of our latest issue for our feature on the Little Metropolis project

Website: littlemetropolis.bandcamp.com

Facebook: facebook.com/littlemetropolisalbum


Simon Vincent is the owner of Trading Post (one of Gloucestershire’s oldest record stores) and has been running it since 2001. facebook.com/tradingpost.stroud